The search for one’s origin can be unyielding. A quest for belonging, for understanding of who we are and why we exist. It could be difficult for people who have never questioned where they came from to grasp how profound doubt is present in the everyday life of someone that’s missing a key piece of their identity. Bloodline is the thematic element that ties multiple parts in Jaime Rosales’ Petra.
This piece is not spoiler free.
Going into Roma, the new film by Oscar winner Alfonso Cuarón, my expectations were quite high. It wasn’t only because he happened to be my favorite director growing up (and is still my favorite out of the three amigos), but finding out this was his comeback to México made me ecstatic. Call it Mexican pride, but I’ve always preferred the works he made here over his mainstream American ones. I’m afraid my anticipation might have clouded my judgement when I first watched the film, as coming out of the theater, my first instinct was to praise it for its technical achievements. But, there was this uneasiness that I just couldn’t shake, which only grew stronger as the days passed.