I think it’s pretty indisputable that the language surrounding “nerds” has drastically changed in the last decade or so, at least in the United States. Looking back at dated nostalgia pieces, the rhetoric surrounding “geeks,” “dweebs,” and “nerds” gets pretty scary and antagonistic. As our country has matured (in some ways) we have seen a slight shift in this language, where scholastic achievement is being valued alongside physical and social. However, I know many people who have been repeatedly demeaned and shamed for their interests and intellectual tendencies. I am one of those stories, having had schoolmates, adults, and anonymous internet personas ridicule, tease and make me feel worse about myself because my interests didn’t align with theirs. This was confusing to me, as I thought that I was supposed to be supported for wanting to learn and grow. I felt like I needed some examples of how to be a nerd in the world, as I couldn’t find it in my own environment.
The Oscars are trash this year but we’re still doing predictions because we’re trying to stay afloat of the twitter discourse. Free us from this cinematic prison and enjoy reading the winners our hearts desire, and those we think will snatch the award!
High school-centered media is always incredibly tricky to get right. It’s a time in our lives when we are incredibly vulnerable, as we come into ourselves socially, professionally, and sexually. So it makes sense that it’s such a popular genre. People want to see their experience mirrored, in a relatable fashion, on screen. So many films and television shows seem to miss the mark when it comes to this time period, especially when it comes to sexual exploration. Many sexualize teenagers to an uncomfortable degree, others disregard issues of consent and respect outright, and many works seem to make a joke out of a character’s understandable inexperience around sex. It is no exaggeration to say that this odd, uncomfortable depiction of sex can be harmful, especially to the developing young adults consuming this type of media.
So, as we near the end of the first month of 2019, we clearly have an evolved sense of sexual respect. We are coming off of a year where much popular conversation surrounded sex and respect, or lack thereof. So clearly we should have art that reflects our new, mature sensitivities around sex. We should hope so, at least.
A lot of the discourse around the recently released Netflix original miniseries Sex Education has been about just this: the show’s treatment of sex. Rightfully so, as the show makes no illusion that it has something to say about sex in high school, as its title would suggest.
Third episode of the podcast is here!
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In our third episode podcast host Charlie Dykstal talks with our editor-in-chief Dilara Elbir, editor Mary Beth McAndrews and staff writer Mia Vİcino about their favourite films and performances of 2018 and what they are looking forward to in 2019. Available on iTunes, Spotify, Google Play and Stitcher.
Happy awards season everyone!
2018 has finally come to an end. Despite the political hellfire it raged for its 365-day duration, 2018 brought us films like Shoplifters, Roma, Cold War, The Rider, and Revenge (you can check out all of our favorites of 2018 here). It was a year for badass women on screen. It was a year for horses. But, it was also a year that brought us disappointments and tragedies, such as Green Book and Bohemian Rhapsody, who both won Golden Globes.
Despite that tragedy, 2019 still holds a treasure trove of cinema, from Godzilla: King of the Monsters and Star Wars: Episode IX to High Life and Jojo Rabbit. Jordan Peele is releasing another horror movie, Edward Cullen is going to space, Isabelle Huppert is going to try and kidnap Chloe Grace Moretz. That’s just a taste of what this year will bring to the big (and sometimes small) screens.
Without further ado, here are our most anticipated films of 2019.
This essay is by our guest writer Charlie Dykstal.
CW: discussion of abuse
As should be no secret to anyone who has seen the news recently, a sort of re-contextualization of abuse is occurring. The issue is a complex one, where deeply institutional harm is being outed and discussed openly. This social movement evokes a feature of human nature: when our perceptions of each other change, so does our perception of art. The recent discussion of the films we love has been forever changed, as the recontextualization of abuse has set in.
This brings us to I, Tonya. Craig Gellipse’s story of the famous/infamous Tonya Harding shows no hero, protagonist, or savior. The bleak picture is a story about the very tragedy being discussed currently: abuse.