Podcast #3: 2018 Wrap Up, 2019 Hopefuls

Third episode of the podcast is here!

On our Patreon page we set a goal of $75 to start working on our podcast and two months ago we hit that goal, thanks to your help! Every time we gain a new Patron, we come one step closer to saving enough money to pay to our writers. You can help us with as little as $1.

In our third episode podcast host Charlie Dykstal talks with our editor-in-chief Dilara Elbir, editor Mary Beth McAndrews and staff writer Mia Vİcino about their favourite films and performances of 2018 and what they are looking forward to in 2019. Available on iTunesSpotifyGoogle Play and Stitcher.

Happy awards season everyone!

Much Ado’s Most Anticipated Films of 2019

2018 has finally come to an end. Despite the political hellfire it raged for its 365-day duration, 2018 brought us films like ShopliftersRomaCold WarThe Rider, and Revenge (you can check out all of our favorites of 2018 here)It was a year for badass women on screen. It was a year for horses. But, it was also a year that brought us disappointments and tragedies, such as Green Book and Bohemian Rhapsody, who both won Golden Globes.

Despite that tragedy, 2019 still holds a treasure trove of cinema, from Godzilla: King of the Monsters and Star Wars: Episode IX to High Life and Jojo Rabbit. Jordan Peele is releasing another horror movie, Edward Cullen is going to space, Isabelle Huppert is going to try and kidnap Chloe Grace Moretz. That’s just a taste of what this year will bring to the big (and sometimes small) screens.

Without further ado, here are our most anticipated films of 2019.

Continue reading “Much Ado’s Most Anticipated Films of 2019”

‘I, Tonya’: A Statement on Truth and Abuse

This essay is by our guest writer Charlie Dykstal. 

CW: discussion of abuse

As should be no secret to anyone who has seen the news recently, a sort of re-contextualization of abuse is occurring. The issue is a complex one, where deeply institutional harm is being outed and discussed openly. This social movement evokes a feature of human nature: when our perceptions of each other change, so does our perception of art. The recent discussion of the films we love has been forever changed, as the recontextualization of abuse has set in.

This brings us to I, Tonya. Craig Gellipse’s story of the famous/infamous Tonya Harding shows no hero, protagonist, or savior. The bleak picture is a story about the very tragedy being discussed currently: abuse.

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Sebastian Stan and Margot Robbie in I, Tonya (2017). © NEON

Continue reading “‘I, Tonya’: A Statement on Truth and Abuse”