Tradition is everywhere in Georgia, perhaps because of a determination to retain the country’s national identity. But with tradition comes conservatism, as Levan Akin explores through the microcosm of a Georgian dance troupe in his gorgeous romance And Then We Danced.
Continue reading “Cannes 2019 Review: ‘And Then We Danced’ is a Triumphant Leap Into Love and Desire”
Cannes is just around the corner, and for those of us stuck at home wistfully thinking of the Croisette, there is no better place to turn than to the exceptional catalogue of past Cannes selections. MUBI have helpfully prepared a brilliant streaming lineup for their next twelve days of programming, presenting an iconic past Cannes film every day of the festival – surely enough to sate our cinematic appetites without even the need to even get up from the couch. Fantastique!
Read on to find out what our writers thought about the films included in this year’s Cannes MUBI lineup – from sadomasochistic horror, to the first movie to ever premiere in 3D at the festival, to a beloved Palme d’Or winner, there’s something here for everyone.
Continue reading “MUBI Cannes Takeover: 12 Great Films You Can Catch on MUBI During the Festival”
Before man first landed on the moon, the lunar surface was ripe for colourful interpretation. It has been the source for endless fascination for storytellers since nursery rhymes sang of it being made of cheese. “The moon, my dear, is by nature a curious place,” says one of the curious travellers of Karel Zeman’s space oddity. The Fabulous Baron Munchausen doesn’t stay on the moon for long, but it brings that curiosity back down to earth.
Continue reading “Criterion Reviews: ‘The Fabulous Baron Munchausen’”
Capturing the rave scene in Scotland in its dying days, Brian Welsh’s spirited Beats is a slice-of-life portrait of the kids that won’t go down without a fight. It’s 1994, and best friends Johnno (Cristian Ortega) and Spanner (Lorne Macdonald) are on the phone chatting excitedly about the new EDM track they’ve discovered. “I waited two days on the radio to tape it,” Spanner says, immediately evoking a nostalgic romanticism when music was discovered like treasure.
Beats is propelled by an old fart piece of legislation: Criminal Justice and Public Order Bill which sets a ban on “gatherings around music characterized wholly or predominantly by the emission of a succession of repetitive beats.” Characters will spit this phrase at several moments, tutting the T’s like a sort of battle cry. No stuffy laws will subdue the freewheeling spirit of kids just looking to escape from the West Lothian grey. The bill is only fuel for the fire.
Continue reading “Glasgow Film Festival ’19: Festival Closer ‘Beats’ is a Vibrant Look at Scotland’s Rave Scene”
“He is the most attractive man in the world,” says Eve (Lily Rose-Depp) at one point about Abel (Louis Garrel), the man she’s had a crush on since childhood. Usually, I would think this is narcissistic—after all, this is a line written by Garrel (and legendary screenwriter Jean-Claude Carrière) about a character that he plays. But, let’s be honest, is he actually wrong? ‘Write what you know’ is the old saying, and what Garrel knows is: 1) he’s very good-looking and 2) how to write a charming film of a decidedly very French variety.
Continue reading “Glasgow Film Festival ’19: ‘A Faithful Man’ is a Very French Sparkling Gem”
You have to give it to Netflix – I’m not sure another studio would’ve had the guts to fund a film as original and ridiculous as Velvet Buzzsaw. Part satire-part supernatural slasher flick, Nightcrawler director Dan Gilroy reunites with Jake Gyllenhaal and Rene Russo to make a mockery of the LA art scene. It’s a world that’s ripe for parody, from the money-hungry agents to the pretentious critics and the assistants trying to get a foot in the door. There’s a lot of material to cover – and that might just be the problem.
Continue reading “The Insightful Satire of ‘Velvet Buzzsaw’ is Lost Behind its Broad Brushstrokes”
2018 has finally come to an end. Despite the political hellfire it raged for its 365-day duration, 2018 brought us films like Shoplifters, Roma, Cold War, The Rider, and Revenge (you can check out all of our favorites of 2018 here). It was a year for badass women on screen. It was a year for horses. But, it was also a year that brought us disappointments and tragedies, such as Green Book and Bohemian Rhapsody, who both won Golden Globes.
Despite that tragedy, 2019 still holds a treasure trove of cinema, from Godzilla: King of the Monsters and Star Wars: Episode IX to High Life and Jojo Rabbit. Jordan Peele is releasing another horror movie, Edward Cullen is going to space, Isabelle Huppert is going to try and kidnap Chloe Grace Moretz. That’s just a taste of what this year will bring to the big (and sometimes small) screens.
Without further ado, here are our most anticipated films of 2019.
Continue reading “Much Ado’s Most Anticipated Films of 2019”