Dads of 2018: Ranked

A few weeks ago, this tweet by Alexandra Svokos (@asvokos) was posted on Twitter:

Basically, it awoke a burning need inside me. I love film dads. You hopefully love film dads as well. So, why not use my position as a writer on a well-respected film site to rank film dads and distract myself from the existential despair around me? For the sake of brevity (and so I’m not just regurgitating the beautiful tweet above), I chose to focus on 2018 film dads in a specific and simple list, ranked on a lot of different factors. I limited it down to one dad per movie, from movies I have seen and at least superficially enjoyed. There also may be spoilers for any film included on the list, so beware!

Well, girls, gays, and all other dad loving individuals – let’s get to it!

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‘Ant-Man and the Wasp’ is Conventional, But Charismatic Enough to Excel Past Its Predecessor

If you’re a film fan, you probably have your mind made up on Marvel films at this point. You either like them enough or wish they would end, but they just keep coming! Personally, while I am not a fan of most of the early entries in the franchise, I’ve generally felt the latest offerings in Phase 3 have brought enough refreshing elements and a surprisingly mature amount of depth to popcorn entertainment. Ant-Man and the Wasp is the latest offering from the Marvel Cinematic Universe and sequel to the 2015 origin story. While it doesn’t pull the same punches or have as much thematic depth as Black Panther, it makes up for it with a charming cast that provides heart and tonal confidence to a film that takes it beyond what its predecessor reached.

It’s pretty well known that the first Ant-Man film was plagued with production issues- including the infamous firing of Edgar Wright due to creative differences. However, this is where Ant-Man and the Wasp gets to excel. Gone are the grievances over what could have been, and here are the best ways to build on what was established in the original flick. Reed displays a lot better directional skill here. The fight sequences are better staged, there are more uses of the shrinking and growing visual hooks, and in general, the tone is a lot more focused and energetic than the original (which looked like an NBC sitcom, at times) ever was. From the tiny car chases to the psychedelic VFX work of the Quantum Realm, there’s a lot more to savor this time around.

ant-man-and-the-wasp
Ant-Man (Paul Rudd) and the Wasp (Evangeline Lily) are just as fun as their size.

Continue reading “‘Ant-Man and the Wasp’ is Conventional, But Charismatic Enough to Excel Past Its Predecessor”