Review: ‘Annihilation’ is a Nightmarishly Beautiful Entry to the Modern Sci-Fi Renaissance

Alex Garland is a science fiction writer that has a lot to say about humanity. His 2014 debut film Ex Machina followed a programmer studying a big name CEO’s invention of artificial intelligence, evolved into a complex study of what defines a “human.” The film was an exceptionally directed dive into the ideas of ego, gender roles, sexuality, and autonomy. His follow up feature, Annihilation, walks a different path from Ex Machina in scale. In his sophomore film, Garland shifts his style from a one-location thriller to a spectacle-filled journey through different environments. But Garland does not abandon his core philosophies, he develops them. Horrific yet gorgeous, Annihilation evokes the same feelings of previous science fiction films, but delivers a wildly original, personal, and experimental look into human themes.

From left to right: Natalie Portman as Lena, Tessa Thompson as Josie Radek, and Gina Rodriguez as Anya Thorensen holding the alligator.

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Most Anticipated Films of 2018


2017 was a crazy, whirlwind of a year for cinema, with great films that left us on the edge of our seats like Get Out and Dunkirk, but now it’s time to start thinking about the countless films we can’t wait to see in 2018. Especially as the 2018 Sundance Festival comes to an end, we can’t help to think 2018 could be another great year for film. Ranging from small, independent films to major Disney blockbusters, here are some of the films our staff desperately anticipating.

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