Using Animation to Imagine Terrifying, Glorious, and Queer Futures in ‘Love, Death, and Robots’

Let’s face it: we live in a terrifying world. Every piece of news seems to further illustrate our awful reality and it’s hard to feel like anything is ever going to get better. But, in times like this, a little imagination can work wonders in imagining what different versions of the future would look like, futures that contain wondrous machines, bloodthirsty monsters, and powerful figures that fight oppressive systems. Netflix’s animated series, Love, Death, and Robots works to harness the power of imagination in the creation of 18 different futures that are dark, terrifying, hopeful, and even queer. Sure, it is not perfect, but it is a beautiful example of how animation can provide us images of a previously unimaginable future, one that discusses queer representation, oppression, and bodily autonomy.

Controversy sprouted on Twitter when one user pointed out that the order in which the episodes were served up to viewers was potentially based on their sexuality, which is a terrifying prospect in itself. Even now sexuality is being used to judge what content to give us, even if Netflix so vehemently denies this is the case. This is only one small example of the terrifying digital future that is expanding exponentially by the minute, one that provides us with tools to educate, build community, spread hate, and harm. Even in the face of the irony of its distribution, Love, Death and Robots expands on these tools into previously unimaginable possibilities.

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‘The Lego Movie 2’ is Built With Fewer Complex Pieces But is Awesome All the Same

No one, absolutely no one, could have ever suspected that The Lego Movie would be as good as it was. Boasting a stop-motion inspired, completely-made-out-of-bricks animation style, countless different franchises and IPs, and a loud, catchy pop song in “Everything is Awesome,” it was evident that it would look and sound the part at the very least. In a Hollywood landscape where it seemed that just about every movie was a reboot, a sequel, or an adaptation of some obscure toy, imagine how audiences and critics alike were caught off guard when The Lego Movie itself directly knew all of our anxieties and used them to its advantage. Stealthily, we got a movie that used one of the biggest toy brands and some of the biggest franchises to create a narrative about the beauty of individuality and creative self-expression, a heartwarming tale about a father and son reconnecting, and the dangers of conformity under a capitalist society (no, seriously).

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In short, Phil Lord and Christopher Miller, the directors of the first film (and most recently Into the Spider-Verse), know what the hell they’re doing. There have been a few Lego spin-offs in the meantime since 2014, but here we finally are with a sequel to the original The Lego Movie. This time around, Lord and Miller have producing credits, with director Mike Mitchell (Trolls) taking the reigns. But, rest assured, their under-99-layers-of-irony-but-still-as-genuine-as-can-be essence is still everywhere. The result is a sequel that is a lot less subtle about its meta-narratives and has fewer moving parts in its plot structure, but still understands everything that made the original great while excelling at being just as emotionally satisfying.

Continue reading “‘The Lego Movie 2’ is Built With Fewer Complex Pieces But is Awesome All the Same”