Cannes 2018 Review: ‘Under the Silver Lake’

If there’s any film that defines the paranoid, conspiracy theory-obsessed times we live in where groups of thousands of faceless identities believe Kubrick faked the Moon landing, the Illuminati controls the world, and Beyonce is a lizard — it may just be David Robert Mitchell’s Under the Silver Lake. The follow-up to the wildly successful It Follows is a delirious head-spin into the seedy underground of Los Angeles; a baffling acid-trip of imagery attacking you from all angles. It emulates the LA-set noirs that are more successful in their execution like Mulholland Drive, but the film still has something new to add the table — some would say too much, but you can’t fault it for its ambition.

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