Female Director Spotlight: Mia Hansen-Løve’s Detailed Portraits of Familial Strife

This month, I wanted to choose a director whose work I had little familiarity with, so that I too would get to experience their filmography for the first time. A few recommendations later (thanks Iana!) and I settled on Mia Hansen-Løve, a French filmmaker whose work I had always intended to get around to watching, but never really did – until now. Hansen-Løve’s films have received widespread critical acclaim, in particular, ‘Things to Come’ in 2016, which stars Isabelle Huppert and won the Silver Bear at Berlinale. Her work has been lauded for its muted and empathetic observations on everyday life, a variety of character and attention to human detail, and the slow artistry of her camera. Sure, her films may not be for everyone; they epitomise the leisurely French drama, concerned with intricate relationships, difficult emotions, and the impact of time. For the right viewer, however, Hansen-Løve’s filmography is a luxurious exhibition of real life, and an experience that I would highly recommend.

 

Fathers and Daughters: ‘All is Forgiven’ (2007) and ‘Father of My Children’ (2009)

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Chiara Caselli, Louis-Do de Lencquesaing, Manelle Driss, and Alice Gautier in ‘Father of My Children’. © 2009 Les Films du Losange

First features can often be necessary stumbling blocks for filmmakers. In Hansen-Løve’s case, however, her first two films, which both focus on familial difficulties, immediately landed on their feet, contributing an assured, refined start to her career and easily holding up against her later works.

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