Sundance London ’19 Review: ‘Animals’ is a Hazy, Mid-life ‘Coming-of-Age’

In a cinematic landscape that is currently experiencing a surge of teenage coming-of-age tales, Sophie Hyde (52 Tuesdays) brings another side of the story: the ‘coming-of-age’ as you approach your thirties, a time where the evidence of your twenties is still present despite the looming decade brimmed with higher expectations and the fulfilment of cultural norms. With this offering, Hyde joins the likes of Desiree Akhavan (Appropriate Behaviour, The Bisexual) in offering authentic and refreshing portrayals of the female millennial experience on screen.

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Holliday Grainger and Alia Shawkat in Animals (2019)

Based on Emma Jane Unsworth’s 2014 novel of the same name, Animals chronicles the antics of party-obsessed best friends Laura (Holliday Grainger) and Tyler (Alia Shawkat). The two have been enjoying their fair share of debauchery in Dublin for more than a decade — as established by the well-worn friendship montage in the film’s opening. Despite the growing comments of dismay from their loved ones, Tyler is seemingly content with their midlife wanderings that refuse to conform to the conventions of the nuclear family, proclaiming (after asking Laura to observe the deafening muteness of the suburb) ‘it’s the non-sound of the suburb. They sell it to you as peace, but it’s death’. While Shawkat’s happy-go-lucky character does not necessarily steer too far away from comedic roles she has played in the past, the film’s milieu amps her unstoppable, and unapologetically American, energy.

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