Horror has always provided a foundation for social commentary. As an audience, our fear of the monsters on screen can reflect – or negate – the fears that are deeply rooted within our communities. Gender, therefore, is an obvious topic for the horror director, and the academic links between feminist analysis and genre filmmaking are extensive. It’s the reason why Much Ado takes part in ‘Women in Horror Month’; we wish to highlight the fact that women excel when it comes to the monstrous and the terrifying.
Karyn Kusama lies at the very heart of this link, as a horror filmmaker who places female stories front-and-centre within her work. Her protagonists are richly developed, flawed and driven – whether that be for blood, success, or revolution. Her films provide subtle commentary upon the patriarchal grip of masculinity, the immovable nature of grief, and the overbearing pressure of maternal love. Her stories are interwoven with humour, poignancy, and wit. From ‘Jennifer’s Body’ to ‘The Invitation’, Kusama’s short filmography is an example of how female filmmakers truly own the horror genre.