Noah Baumbach’s latest feature is a heartbreaking AU in which actress Gena Rowlands divorces her director husband John Cassavetes in order to move to LA and further her film acting career. Kidding, it’s a fluorescent law procedural detailing the absurdly high expenses, both financial and emotional, that unjustly come along with divorce. No, really, it’s a deconstruction of the apocryphal myth that the perfect parent, the perfect marriage, and the perfect career all exist.Continue reading “‘Marriage Story’ is an Emotional Tempest that Expertly Blurs the Line Between Realism and Camp”
If you’ve ever seen a Jim Jarmusch film, it’s pretty easy to catch on to his style and cadence: the importance of music, a celebration of strangeness, and every character seems bored out of their minds no matter what’s going on around them. The Dead Don’t Die (2019) is no different, except this time there’s flesh eating zombies caused by corporate fracking. But don’t worry, Iggy Pop is still there.
The premise of Spike Lee’s latest sounds so outlandish, it’s crazy to think it’s true. But alas, it simply makes for a more enriching film, both artistically and educationally. Starring John David Washington, BlacKkKlansman follows a lone black police officer, Ron Stallworth, at the Colorado Springs Police Department in the 70s. Stallworth quickly makes waves in his new work environment, and not just because of the color of his skin. After discovering membership material about the Klu Klux Klan, the rookie cop makes a brave yet reckless choice to call the organization’s number and enters the white supremacist circle with help from his white voice. He’s faced with opposition from his team, but eventually gets apprehensive help from Adam Driver’s Flip, who poses as the white Ron Stallworth.