The Oscars are trash this year but we’re still doing predictions because we’re trying to stay afloat of the twitter discourse. Free us from this cinematic prison and enjoy reading the winners our hearts desire, and those we think will snatch the award!
What a strange award season you are, we whisper in our best Cate Blanchett impression. It indeed is. But this year strangeness comes from not the unpredictability of the season, but the exact opposite. If you asked us months ago, we’d say that the upcoming award season was going to be full of fun with so many films that differ from each other. But alas, we spent the whole season watching same people win and listen to same speeches so much that the only way to differentiate them is through the winners’ clothes. Almost every main category at Academy Awards look locked at this point, so as the Much Ado team, we left predictions aside and ranked the nominees in main eight categories!
This essay is by our guest writer Edina Alix.
In the Twitter bio of the Academy of Motion Picture Arts and Sciences, it reads “we champion the power of human imagination.” In the last ninety years of the academy’s existence however, this “human imagination” has been overwhelmingly straight, white and male. In this year’s Oscar nominations alone, only one of the five directors nominated for best director was a woman (Greta Gerwig for “Lady Bird”) and her presence in the prestigious lineup marked the end of an eight year dry spell of the exclusive “boys club” of male directors in the category. Dee Rees (Mudbound) was snubbed of a best director nomination, marking yet another year that no women of color were nominated for best director. What was truly shocking was that this year marked the very first time that a woman was nominated for best cinematographer (Rachel Morrison for “Mudbound”) in the entire history of the Academy Awards.