Last week, all I could think about was finally seeing Ava Duvernay’s latest directorial feat, A Wrinkle in Time. Despite the mixed coverage of the film, nothing was going to diminish my eagerness. Adapted from the classic novel by Madeleine L’Engle, the film follows Meg Murry, portrayed by Storm Reid, as she travels throughout the universe to find her scientist father with the help of her brother, Charles Wallace, friend, Calvin, and the extraordinary Mrs., Mrs. Which, Mrs. Whatsit, and Mrs. Who, played by Oprah Winfrey, Reese Witherspoon, and Mindy Kaling, respectively. My expectations were definitely high, but DuVernay and company didn’t just deliver an entertaining movie–they delivered an experience.
When considering the work of female filmmakers, Ava DuVernay is a name that stands out in the minds of many. Her achievements are overwhelming; she is the first African-American woman to win the Best Director prize at Sundance, the first black woman to be nominated for a Best Director Golden Globe, and the first black female director to have a film nominated for Best Picture at the Oscars. She has Emmys, Black Reel Awards, Independent Spirit Awards and countless nominations under her belt. In 2018, her film ‘A Wrinkle in Time’ will make Ava DuVernay the first black woman to direct a live-action film with a budget of over $100 million.
In many ways, these facts are shocking – DuVernay should not have had to be the first to lay claim to these achievements. Regardless, her filmography paints a picture of true passion for the moving image. From short films to television specials, documentaries to biographical films, there doesn’t seem to be much that the filmmaker won’t try her hand at. As a director, writer, producer, marketer, and distributor, DuVernay is also involved in every level of the process – occasionally even making appearances in front of the camera (‘This is the Life (2008)’). The variety of her work represents not only an ability to adapt to various genres, but also the method by which she rose to fame. DuVernay did not go to film school, and instead practised her craft through lower-budget documentary filmmaking.
2017 was a crazy, whirlwind of a year for cinema, with great films that left us on the edge of our seats like Get Out and Dunkirk, but now it’s time to start thinking about the countless films we can’t wait to see in 2018. Especially as the 2018 Sundance Festival comes to an end, we can’t help to think 2018 could be another great year for film. Ranging from small, independent films to major Disney blockbusters, here are some of the films our staff desperately anticipating.