The first time I watched Toy Story 2 with my dad, he rose from the couch abruptly to get a glass of water. Jessie, the cowgirl doll, was singing “When She Loved Me,” the bittersweet backstory of her previous owner’s love and the memories they shared, ending with the child outgrowing her and ultimately giving Jessie away to charity in a cardboard box. As I fumbled to pause it so my dad wouldn’t miss anything, I heard a quiet sob from the kitchen. Silence. Then another. I set the remote down; not fully understanding, I let the film keep playing.
While the past few years have helped bring complex and dizzying portraits of women and mothers to the forefront, I am simultaneously and inevitably drawn to the softness and generosity of onscreen father-daughter relationships in 2018. Whether in a tensely-plotted thriller like Searching or A Quiet Place, or a tender, thoughtful character study like Eighth Grade or Leave No Trace, the bond between father and daughter not only helps drive plot, but allows viewers to understand the characters and the ways they acknowledge one another more richly. After all, aren’t love, and paying attention the same thing?
2018 was a year of amazing horror films. While a certain Vogue article may disagree, 2018 was a year for pushing boundaries in the genre and creating complex female characters who weren’t just vehicles for over-the-top sex scenes. It was a year where “woman” no longer meant singular sex object, with films like Revenge, What Keeps You Alive, and Cam. It was a year of experimentation, as seen in Mandy and Possum, which create unique, and psychedelic, visual experiences. While the past five years have been full of this kind of boundary-pushing, from The VVItch to Get Out, 2018 continued to showcase the diverse voices in the horror community and demonstrate how the face of horror is changing.
While this piece will primarily highlight the positives of horror in 2018, this was not a year without its failures. The Nun, Truth or Dare, Winchester and more made up this year’s big blockbuster releases, and all were met with a resounding shrug; these movies made to draw the big crowds to the box office instead kept the horny teens away. The two horror films that drew crowds this year were A Quiet Place and Hereditary, two films that strayed away from the typical horror narrative and created unique stories that perhaps wouldn’t always make their way into the mainstream. Despite the bigger name flops, indie horror filmmakers really showed up to create pieces of horrifying media that resonated both throughout the horror community, and in some cases larger audiences.
Rape-revenge films are commonly exploitative, over-the-top, and torturous to their female characters. Think of films such as I Spit on Your Grave or Ms. 45. But, director Coralie Fargaet wanted to change this with Revenge, a film in the vein of the French New Extremity that uses rape as more than a plot device or site of spectacle.
Basically, it awoke a burning need inside me. I love film dads. You hopefully love film dads as well. So, why not use my position as a writer on a well-respected film site to rank film dads and distract myself from the existential despair around me? For the sake of brevity (and so I’m not just regurgitating the beautiful tweet above), I chose to focus on 2018 film dads in a specific and simple list, ranked on a lot of different factors. I limited it down to one dad per movie, from movies I have seen and at least superficially enjoyed. There also may be spoilers for any film included on the list, so beware!
Well, girls, gays, and all other dad loving individuals – let’s get to it!
Three months into 2018, and it is clear that it is on its way of becoming the year of unexpectedly fresh studio surprises. From the clever comedies of Game Night and Blockers to the romantic Love, Simon and the meditative sci-fi film Annihilation. John Krasinski’s addition to these first quarter gems is a nerve-wracking, experimental horror flick A Quiet Place. Despite the grievances I have with the film, I felt that first and foremost it was mainly about bringing the audience together and having them actively invested in the film. In short, A Quiet Place more than succeeds on so many levels, and while experiences may vary depending on how respectful your audience is, my viewing of the film was an engaging, interactive time at the movies.