Fantasia 2019 Review: Dive Into South African Horror and Folklore in ‘8: A South African Horror’

So often, American film tropes are looked to as the golden standard, a potential guide for international filmmakers who want to make it big in Hollywood. But there is nothing more satisfying than seeing an indie horror film that is not from the U.S. utilize certain tropes in order to highlight a unique story. This is the case in Harold Hölscher’s feature film debut, 8: A South African Horror. Hölscher gives a well-tread story of worlds colliding a breath of fresh air by incorporating South African folklore, racial tensions, and beautiful visuals. 8, while not persistently scary, is a melancholy fairytale the likes of which the Grimm Brothers have never seen.

The film begins in 1977 with a downtrodden trio heading to their new home. Couple William (Garth Breytenbach) and Sarah (Inge Beckmann) have taken in his sister’s child, Mary (Keita Luna), after her parents’ deaths. Each is full of their own sadness, from mourning parents to mourning the inability to become pregnant. But this farm will be a fresh start for them, a place where they’ll come together as a family. Then, they meet Lazarus (Tshamano Sebe), a mysterious man who lives in the woods surrounding the farm who carries a suspiciously large bag. He asks William for a job, explaining that he once worked for William’s father and would love to help in anyway he can. Mary and Lazarus strike up a friendship, finding understanding and compassion in one another. Yet, he is not what he seems.

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