Staff writer Kareem Baholzer lists his ten favorite films of 2019!
Believe it or not, we are halfway through 2019. We’ve seen Brie Larson kick ass as Captain Marvel, we’ve witnessed the end of an era with Avengers: End Game, Julia Hart gave us a new kind of superhero film in Fast Color, Ari Aster has scarred us all with Midsommar, and Olivia Wilde has given us the teen comedy we’ve been waiting for with Booksmart. It’s already been a wild year for film, and we still have five months left. With that in mind, here is Much Ado’s favorite films of 2019 so far and why we love them.
Booksmart, dir. Olivia Wilde
‘The night to end all nights’ is a tagline often found attached to tales of raucous frat bros, to the pursuit of the loss of their virginities, and to their final evening of partying, which comes just before the dawn of adulthood. Rarely, in teen comedies that revolve around sex and physical frankness, is said semi-mythical night centered on two rather awkward high school girls. More often than not, it has been the boys in Superbad and American Pie that have not only been permitted but openly encouraged to discuss their sexual desires, appetites, and experiences without so much as a hint of a blush on their cheeks. In Olivia Wilde’s Booksmart, this kind of agency is transferred from the obnoxious characters found in the aforementioned teen classics and awarded to Amy (Kaitlyn Dever) and Molly (Beanie Feldstein): two friends on the eve of high school graduation, for whom discussion of Malala Yousafzai and intersectional feminism sits as comfortably in conversation as the topic of masturbation. After realising that they have spent their entire adolescence burying their heads in their studies — in a fruitless attempt to gain the upper hand over their popular peers in search of places at prestigious universities — Molly and Amy decide that they must embark on the wildest evening of all if they are to truly ‘experience’ teenage-hood. And thus, absurdity, wild goose chases, and chaotic sexual encounters ensue.
Animation opens up universes of possibilities. In worlds drawn from the imaginations of its creators, anything can happen. So then why is there so little queer representation in Western animation? There are a few examples out there, such as Steven Universe, that provide beautiful stories that speak to adults and children alike. But these examples are few and far between, which can lead one to believe that there’s something about non-heterosexuality that is shied away from in animation, despite stories that take place in space with plethoras of alien races. There is much more queer representation in anime, though it isn’t always for the best. Yet they still include these characters and themes more often than seen in the animated films of Disney and Pixar.
This list contains eight are examples of queer stories and characters created in the world of animation. Most of them are television shows, with a few short and feature films sprinkled throughout. The length of this list is a testament to the need for more gay animation, especially in the mainstream.
Horror has a rocky track record with queer representation, particularly in terms of portraying “deviant” identities as monstrous. Films such as Dracula’s Daughter (1936), The Silence of the Lambs (1991), and High Tension (2002) portray gay characters as predatory figures who seek to kidnap and kill; in these films, their sexuality is what drives them to such violence. The horror films of the 1980s and 1990s try to deal with the fear of AIDS with films about the body in pain. And then of course there is the rampant amount of queer subtext that fills the genre, either written in by filmmakers or found with the horror community. Horror films are often seen as a genre for deviants, a place to find comfort and power within monstrous identity. This is a queer genre, through and through.
With all of that in mind, we’ve compiled a list of some of horror’s best LGBTQIA+ films with more explicit, and mostly positive, representation.
Cannes is just around the corner, and for those of us stuck at home wistfully thinking of the Croisette, there is no better place to turn than to the exceptional catalogue of past Cannes selections. MUBI have helpfully prepared a brilliant streaming lineup for their next twelve days of programming, presenting an iconic past Cannes film every day of the festival – surely enough to sate our cinematic appetites without even the need to even get up from the couch. Fantastique!
Read on to find out what our writers thought about the films included in this year’s Cannes MUBI lineup – from sadomasochistic horror, to the first movie to ever premiere in 3D at the festival, to a beloved Palme d’Or winner, there’s something here for everyone.
The Oscars are trash this year but we’re still doing predictions because we’re trying to stay afloat of the twitter discourse. Free us from this cinematic prison and enjoy reading the winners our hearts desire, and those we think will snatch the award!
Isabelle Huppert can do anything. And she frequently does. In the past 40+ years she’s acted in over a hundred films in all genres from musical to quirky comedies to WWII era dramas. She’s committed to challenging herself in bold, new ways, continually delivering fierce, complex, and unforgettable performances in roles most actors would be nervous to approach. But perhaps her greatest skill is her withering judgmental stare.