Issa Rae’s hit show, Insecure, is back and we finally get to see what Issa and Molly have been up to. In season two’s finale, we found Issa moving in with ex-boyfriend Daniel after losing her apartment. The beginning of this season’s premiere confirms the awkward situation living with Daniel creates, as we see him having excessively loud sex with someone who’s not Issa. Issa’s sheer disbelief while listening on the couch is so real I had the same loss for words expression while watching. The awkwardness between Issa and Daniel doesn’t stop there. Daniel is so clearly being petty when expressing that he “didn’t know” Issa was home when he had a visitor. In his defense, Issa’s wishy-washiness over her feelings for him would irritate anyone, especially if he’s allowing her to stay at his home. But, he also could’ve told her she couldn’t move in, for both of their sake.
Each episode of HBO’s latest limited series invokes more and more anxiety, and its fifth episode, “Closer,” takes the cake. The episode centers around Wind Gap’s Calhoun Day, a celebration of the town’s Civil War history, right as Camille’s latest article on the murder investigation is published. While preparing for her leading performance in the day’s festivities, Amma confronts her sister about what she’s written and knowingly makes matters worse by telling Adora about the article. This leads to a tense scene that has been bound to take place, but no less excruciating to watch. After her mother harasses her to come out of the dressing room while trying on dresses for the day’s festivities, Camille reveals her scar-ridden body to her little sister, only furthering Adora’s annoyance. Since Camille arrived, Amma has begged to know why Adora claims that her sister is “dangerous” and she finally gets her answer. Her age becomes apparent in these moments, as she is forced to see not everything is fun and games. Alone in the dressing room, Camille lets out a big, slightly muffled scream and Adams’ ability to allow her character to feel and let go of her contained composure makes for one of the most chilling and heart-wrenching scenes of the series so far.
In contrast to the murders of the teenage girls addressed in the first two episodes, Sharp Object‘s third episode opens with a group of kids out partying after the mandated curfew, including Amma. The wild child then goes on to crash a golf cart in her mother’s rosebushes and is discovered by her “dangerous” big sister, Camille. As Camille nurses her drunken state, Amma bombards her with questions about her life and declares how much she wants to know her sister, though her sincerity is questionable. This spurs another one of Camille’s flashbacks, this time revealing that, not long before returning to Wind Gap, she checked herself into rehab for her cutting. While there she meets her roommate Alice, a young girl who wears long, black clothes and listens to music through headphones, much like Camille in the present.
Any project that includes Amy Adams rightfully garners great attention, but this time, audiences can be graced with the actress’s talent in their homes each week in HBO’s latest limited series, Sharp Objects. Based on Gillian Flynn’s novel of the same name, the premiere follows Camille Preaker, a reporter based in St. Louis, as her boss sends her back to her hometown of Wind Gap to cover the investigation of a murdered girl and a missing girl. Starting the first scene of the series with Camille being awakened by her younger self sets the haunting tone. Before we are introduced to the protagonist, it’s made known that she has demons that follow her, even in events that are supposed to be peaceful. Her editor obviously cares for her and believes this assignment will be good for the newspaper and Camille — personally and professionally. For Camille, however, it seems like a grave choice to return home and be reunited with her mother. She plays her music through her cracked phone — alluding to the show’s title — heavily drinks vodka throughout the day in a deceiving water bottle, and doesn’t interact much with other people. She’s broken — for unknown reasons as of yet — and she seems to accept this as her dark reality.
Sometimes, before watching a new film, there’s a murky feeling that it’s going to be an intense experience. The Tale is one of those films. The HBO film follows Jennifer, played by Laura Dern, as she is forced to revisit the circumstances of her first “relationship” with an older man as a child after her mother discovers a story written by her younger self. If the premise isn’t powerful and sensitive enough, the film is based on the story written by the writer-director Jennifer Fox’s younger self at the time of her abuse. Primarily because of its plot, the film is not particularly “entertaining,” at moments even difficult, but it’s so powerful that it’s a must-watch.
Netflix’s thought-provoking and controversial series, 13 Reasons Why, returned for a second season after its popular first. In the premiere season, the thirteen episodes were structured around the thirteen taped recordings the late Hannah Baker, played by Katherine Langford, left behind before committing suicide, each explaining why thirteen of her peers receiving the tapes were the reason she decided to take her life. This time around, there are no more structurally-convenient tapes and the show uses the testimonies made during the case surrounding Hannah’s death as the new guide. The latest episodes do a great job of encapsulating where each character ends up following the aftermath of discovering the tapes and Hannah’s death, but major missteps take away more attention.
Five seasons, 274 LEDA clones, and too few Alison-Donnie dance breaks, the beloved science fictions series, Orphan Black, united these intriguing elements with one over-arching theme–defining your identity. At the beginning of the series, this theme presents itself through Sarah Manning discovering she is a clone with many clone sisters, but as the mystery behind their genetic origin unveils, the “sestras” are faced with a deep, internal question–who am I?