Sometimes, before watching a new film, there’s a murky feeling that it’s going to be an intense experience. The Tale is one of those films. The HBO film follows Jennifer, played by Laura Dern, as she is forced to revisit the circumstances of her first “relationship” with an older man as a child after her mother discovers a story written by her younger self. If the premise isn’t powerful and sensitive enough, the film is based on the story written by the writer-director Jennifer Fox’s younger self at the time of her abuse. Primarily because of its plot, the film is not particularly “entertaining,” at moments even difficult, but it’s so powerful that it’s a must-watch.
Netflix’s thought-provoking and controversial series, 13 Reasons Why, returned for a second season after its popular first. In the premiere season, the thirteen episodes were structured around the thirteen taped recordings the late Hannah Baker, played by Katherine Langford, left behind before committing suicide, each explaining why thirteen of her peers receiving the tapes were the reason she decided to take her life. This time around, there are no more structurally-convenient tapes and the show uses the testimonies made during the case surrounding Hannah’s death as the new guide. The latest episodes do a great job of encapsulating where each character ends up following the aftermath of discovering the tapes and Hannah’s death, but major missteps take away more attention.
Five seasons, 274 LEDA clones, and too few Alison-Donnie dance breaks, the beloved science fictions series, Orphan Black, united these intriguing elements with one over-arching theme–defining your identity. At the beginning of the series, this theme presents itself through Sarah Manning discovering she is a clone with many clone sisters, but as the mystery behind their genetic origin unveils, the “sestras” are faced with a deep, internal question–who am I?
As the Tribeca Film Festival comes to an end, here’s my take on a few films I was fortunate enough to see. And since it was the first major festival I’ve covered, it shouldn’t be surprising that I was constantly in an “OMG this is really happening! Where am I?” mental state. So, to keep you all up-to-date on the experience, I offered some insight into my scatter brain throughout the festival.
This Thursday marks the beginning of the 2018 Tribeca Film Festival in New York City, and it’s bound to be a thrilling two weeks in lower Manhattan. With a variety of events and screenings, Tribeca stands out as a festival that explores different types of filmmaking, especially in its inclusion of virtual reality. In light of the Me Too movement, the festival is also hosting a Time’s Up event to further the conversation about sexual harassment in Hollywood, though the festival seems to be taking initiative in including women in film with the many films by female-filmmakers featured in the line-up. This year’s festival looks to be a phenomenal one, so here are a few recommendations.
Recently, legendary director Steven Spielberg went on record stating that he believes that films premiered on streaming services like Netflix should be considered TV movies eligible for Emmys rather than Oscars. This topic isn’t new as the Cannes Film Festival has had issues with Netflix Originals. Attempting to differentiate films by their distribution, however, will lead to a dangerous, elitist territory in Hollywood.
In the current climate, there’s been a major push for more women, especially women of color, in front of and behind the camera. The conversations about more women in film often leaves out women in film criticism or commentary, so what better way to round out Women’s History Month by recommending a few female film writers who happen to be some of my favorite writers.