This piece is by our guest writer, Shaun Alexander.
As a part of the Criterion collection release of Andrea Arnold’s 2009 film, Fish Tank, you are treated to not only the Jury Prize winning film, but also three short films Arnold directed previously: Milk (1998), Dog (2001) and Wasp (2003). When you watch these shorts as a collective it is clear to see how they became stepping stones for Fish Tank and Arnold’s other future films, which tackle themes that can disturb viewers at times with intense depictions of sexuality, poverty and family relationships.
The reason for my own personal interest in Arnold’s work is due to the socio-economic setting. Set in and around East London / Essex, Fish Tank has a number of locations which are within walking distance from where I have lived the majority of my life. These are streets I have walked down, these are roads I have driven past and that level of familiarity is not just with the setting but with the characters we see. I am friends with, worked with and went to school with the people that Arnold often focuses on in her filmography – good-hearted people with the weight of the world on their shoulders. Having these personal investments in Arnold’s work has made it fascinating to rediscover these short films and the way in which their ideas are clear influences on her later work.