The fifth episode of the Much Ado About Cinema Podcast has arrived!
On our Patreon page, we set a goal of $75 to start working on our podcast and four months ago we hit that goal, thanks to your help! Every time we gain a new Patron, we come one step closer to saving enough money to pay to our writers. You can help us with as little as $1.
In this episode, I talk to writers Mia Vicino, Kareem Baholzer, and Hannah Ryan about our favorite uses of music in film. To keep the conversation tidy, we limited it to non-original, non-score music. It was a lot of fun to put together, we hope you enjoy!
High school-centered media is always incredibly tricky to get right. It’s a time in our lives when we are incredibly vulnerable, as we come into ourselves socially, professionally, and sexually. So it makes sense that it’s such a popular genre. People want to see their experience mirrored, in a relatable fashion, on screen. So many films and television shows seem to miss the mark when it comes to this time period, especially when it comes to sexual exploration. Many sexualize teenagers to an uncomfortable degree, others disregard issues of consent and respect outright, and many works seem to make a joke out of a character’s understandable inexperience around sex. It is no exaggeration to say that this odd, uncomfortable depiction of sex can be harmful, especially to the developing young adults consuming this type of media.
So, as we near the end of the first month of 2019, we clearly have an evolved sense of sexual respect. We are coming off of a year where much popular conversation surrounded sex and respect, or lack thereof. So clearly we should have art that reflects our new, mature sensitivities around sex. We should hope so, at least.
A lot of the discourse around the recently released Netflix original miniseries Sex Education has been about just this: the show’s treatment of sex. Rightfully so, as the show makes no illusion that it has something to say about sex in high school, as its title would suggest.
This essay is by our guest writer Charlie Dykstal.
CW: discussion of abuse
As should be no secret to anyone who has seen the news recently, a sort of re-contextualization of abuse is occurring. The issue is a complex one, where deeply institutional harm is being outed and discussed openly. This social movement evokes a feature of human nature: when our perceptions of each other change, so does our perception of art. The recent discussion of the films we love has been forever changed, as the recontextualization of abuse has set in.
This brings us to I, Tonya. Craig Gellipse’s story of the famous/infamous Tonya Harding shows no hero, protagonist, or savior. The bleak picture is a story about the very tragedy being discussed currently: abuse.