We aren’t in the wild west anymore, folks. Episode three of ‘Westworld,’ ‘Virtù e Fortuna,’ has finally confirmed the existence of not one, but two new theme parks: the Raj (British-occupied colonial India) and Shogun World (samurais). Dissent is spreading to the other parks and the hosts have taken control; plus, there are rogue tigers chasing guests.
Episode three opens in the Raj, where guests sip tea and plan their hunting expeditions, while Indian men serve them. It’s a place for the rich to live out their Victorian fantasies of experiencing the exotic, while still in the comfort of a luxurious resort. In this resort, two strangers meet, engage in some interesting foreplay, then go off into the jungle together to hunt tigers. But subsequently are hunted by a host who declares, “these violent delights have violent ends” as he pulls the trigger. The man is shot and the woman escapes, only to run into the jungle and encounter a tiger.
Then, in a scene that is distinctly J.J. Abrams, a tiger knocks this mysterious woman off a cliff. Don’t worry, she survives somehow. She seems to have a part to play in all of this, but within a narrative so full of characters and storylines already, it’s hard to be excited about someone new.
While tigers are attacking guests, Dolores (Evan Rachel Wood) has started a war. She sacrifices her new Confederado allies, armed with Civil War-era muskets, to the heavily armed human park security. In an uninspired battle where the massacre of hosts doesn’t seem much different from previous episodes, Dolores asserts herself as superior to other hosts–hosts that have not yet been awakened. She declares, “These men are just children. They don’t know any better. They need to be led.” She has become self-important and rather than feel inspired or moved by her monologues, I found myself bored.
A character who finally had a shining moment was Teddy, played by James Marsden. So far this season he has been as memorable as a piece of plain white toast. But in this episode, Teddy’s discomfort with Dolores’ violence is no longer just a puppy-eyed grimace. This time, he disobeys Dolores and releases a group of hosts instead of executing them. There may be a glimmer of hope for that piece of white toast after all.
As Dolores continues to act poetic about her new role in this world and her grand plans, I find myself wishing for more scenes with Maeve. There are no dramatic monologues or too-sincere declarations, there is only her daughter. Maeve is smart, strategic, calculating, but also loving. She holds Hector’s (Rodrigo Santoro) hand, much to the surprise of their human hostage and park writer, Lee Sizemore (Simon Quartermain). That violates the narratives which were written for them; they are breaking the rules. Hector is supposed to be linked to the host, Isabella, not Maeve.
But despite breaking some rules, Hector still echoes back cheesy romantic lines that Sizemore has written for him. Are these hosts really freethinking? If not, what happens when they truly break free from these narratives?
We also learn that Sizemore wrote Hector and Isabella after a breakup. Specifically, he wrote a narrative where Isabella, who represents his ex-girlfriend, is killed off as a perverse form of revenge. Sizemore’s anecdote illustrates the show’s problem with excessive violence towards women as a form of unwarranted punishment. Yes, ‘Westworld’ is violent and seems to spare no one, but there is a particular focus on trauma and violence towards women.
Episode three ultimately introduces plenty of new parks and new characters, but few answers. The storylines continue to multiply and branch off with no end in sight. As the story continues to expand beyond the scope of Westworld, it’s starting to become too big to contain. The season may only be three episodes in, but I’m exhausted thinking about what the rest of the season could bring.